
No. 29, 2007
CONTENTS
|
Message from the President
Marsha Huff |
9-10 |
|
Editor’s Note
Susan Allen Ford |
11-12 |
|
AGM 2007 VANCOUVER: DISCOVERING EMMA IN VANCOUVER |
|
|
The Anxiety of Emma |
15-25 |
|
Emma: The
Geography of a Mind |
26-38 |
|
British Columbia in Jane Austen’s Time |
39-53 |
|
Exploring the World in
Highbury |
54-66 |
|
“It must be done in London”: The Suburbanization of
Highbury |
67-78 |
|
Edward Austen Knight’s Godmersham Library and Jane
Austen’s Emma |
79-88 |
|
Apples and Apple-blossom Time (Wherein Jane Austen’s
Reputation for Meticulous Observation is Vindicated) |
89-98 |
|
Jane Austen, Jane Fairfax, and Jane Eyre |
99-109 |
|
“And I am changed also”: Mr. Knightley’s Conversion
to Amiability |
110-20 |
|
Jane Fairfax and the “She-tragedies” of the Eighteenth
Century |
121-31 |
|
Jane Austen’s “passion for taking likenesses”:
Portraits of the Prince Regent in Emma |
132-44 |
|
“Worth Looking At”: Performance Prowess in Emma’s
Scenes of Dance |
145-54 |
|
A Speech Language Pathologist Journeys to Highbury |
155-66 |
|
MISCELLANY |
|
|
What Would Jane Cut? |
169-73 |
|
“Procrastination,” Melancholia, and the Prehistory of Persuasion |
174-79 |
|
I’ll Tell You What
about Mansfield Park |
180-83 |
|
Regina Maria Roche’s “Horrid” Novel: Echoes of Clermont
in Jane Austen’s Northanger Abbey |
184-93 |
|
Jane Austen and Civility: A Distant Reading
|
194-208 |
|
“The Hunger of the Imagination”: Discordia Concors in Emma |
209-16 |
|
Where Does the Pleasure Come From? The Marriage Plot and
Its Discontents in Jane Austen’s Emma |
217-26 |
|
George and Georgiana: Symmetries and Antitheses in Pride
and Prejudice |
227-33 |
|
Edward Austen’s Emma Reads Emma |
234-39 |
|
James Stanier Clarke and the Firebrand |
240-44 |
|
An Open Invitation, or How to Read the Ethics of Austen’s
Pride and Prejudice |
245-54 |
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